Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Folk Music

A Bob Dylan Biography in Seven Songs

Audiobook
1 of 1 copy available
1 of 1 copy available

Acclaimed cultural critic Greil Marcus tells the story of Bob Dylan through the lens of seven penetrating songs


"Marcus delivers yet another essential work of music journalism."—Kirkus Reviews (starred review)


"Further elevates Marcus to what he has always been: a supreme artist-critic."—Hilton Als


Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.


In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy—his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own.

  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      October 10, 2022
      Critic Marcus (More Real Life Rock) digs into seven Bob Dylan tracks in this rollicking account. With interpretive whimsy, Marcus dedicates a chapter to each song: in “Blowin’ in the Wind,” Marcus covers the April 1962 show when the song was first sung and recalls first hearing it on “someone’s boat” in 1963, while “The Lonesome Death of Hattie Carroll” is a look at the relationship between music and politics, as Dylan’s 1964 tune “came out of the topical social-protest stream of the Greenwich Village folk milieu.” Elsewhere, “Jim Jones” reflects on a song Dylan hasn’t played live since 1993, while “Murder Most Foul” covers the song’s recording in 2020, “when the shadow of disease was hanging over the world but before the country shut down.” Marcus’s close readings are full of discursive, meandering asides, and his prose is full of flourish: Dylan “wrote songs that as he put them out into the world wrapped their arms around history and then walked into it, songs that like gaudy cloaks of shadow and light wrapped themselves around the people who heard them and then brought them too into history, the history that was going on all around them.” Dylan’s fans will enjoy these lyrical reflections. Agent: Emily Forland, Brandt and Hochman.

    • AudioFile Magazine
      Ian Porter puts a voice to Greil Marcus's biographical take on Bob Dylan. This audiobook consists of seven essays, each based on a Bob Dylan song. Porter engages listeners with a boatload of Dylan data, even making the "you-are-there" reading of the guest list of a 1961 folk music soiree sound intriguing. Porter sounds persuasive as he delivers the author's opinions, providing a supportive tone as Marcus explains his choice of songs, defends his initial dislike of "Blowin' in the Wind," and argues why Dylan's compositions both recorded history and made it. Neither a traditional biography nor classic cultural criticism, this audiobook provides seven windows into Dylan's psyche. R.W.S. © AudioFile 2023, Portland, Maine

Formats

  • OverDrive Listen audiobook

Languages

  • English

Loading