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The Song of Everlasting Sorrow: a Novel of Shanghai

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2 of 2 copies available
2 of 2 copies available

The classic story of a woman in post-World War II China. “[A] complex and penetrating portrayal . . . that best displays [Anyi’s] gifts as a novelist.”—The New York Times

Infatuated with the glitz and glamour of 1940s Hollywood, Wang Qiyao—a girl born of the longtang, the crowded, labyrinthine alleys of Shanghai’s working-class neighborhoods—seeks fame in the Miss Shanghai beauty pageant. This fleeting moment of stardom becomes the pinnacle of her life. During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the Anti-Rightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of “old Shanghai”—a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication—only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth. 
From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

“A beautifully constructed cyclical narrative . . . ingenious . . . As the novel builds to its tragic conclusion, the manner in which character types and events recur against the city’s shifting backdrop is impossible to forget.”—Publishers Weekly (starred review)

“[A] literary masterpiece . . . The story is spellbinding, colorful, and sad; the writing is dense and thoughtful . . . a page-turner right up to the end.”—Historical Novel Society

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    • Publisher's Weekly

      Starred review from January 21, 2008
      Enamored by Hollywood in prerevolutionary China, Wang Qiyao serendipitously poses for a photograph that is chosen for the cover of Shanghai Life
      magazine. Dubbed “A Proper Young Lady of Shanghai,” she wins second runner-up in a 1946 beauty pageant and is soon mistress to a wealthy benefactor. After his death, marriage in her fallen state is out of the question, and Wang Qiyao embarks on a lonely, decades-long journey through Shanghai’s myriad longtang
      , or “vast neighborhoods inside enclosed alleys.” In a beautifully constructed cyclical narrative from Wang Anyi (Baotown
      ), fashion serves as the lens through which Wang Qiyao analyzes her descent from fleeting fame to desperate anonymity. Charting her fortunes becomes a metaphor for a vanished way of Shanghai life in this ingenious tale: friends and lovers come and go, Maoist China undergoes immense social and political changes (none explicitly detailed), yet Wang Qiyao finds that “here are only so many designs, and their rotation is what defines fashion. Only sometimes a cycle drags on too long.” As the novel builds to its tragic conclusion, the manner in which character types and events recur against the city’s shifting backdrop is impossible to forget.

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  • English

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