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Twilight of the Gods

A Journey to the End of Classic Rock

ebook
1 of 1 copy available
1 of 1 copy available

National Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selection

The author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.

Since the late 1960s, a legendary cadre of artists—including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who—has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks.

In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock’s greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself.

Twilight of the Gods is also Hyden’s story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music—are they ephemeral or eternal?

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    • Publisher's Weekly

      April 23, 2018
      Music critic Hyden (Your Favorite Band Is Killing Me) explores the evolution of classic rock in this sharp collection of essays. Hyden looks back at bands such as Led Zeppelin and Pink Floyd, whose mythical status drew him in as a teenager, and traces their legacy to contemporary acts such as Japandroids, a Canadian guitar-and-drums stadium rock duo. Classic rock began, Hyden maintains, with the Beatles’ 1967 release of Sgt. Pepper’s Lonely Hearts Club Band, “where the Beatles officially stopped being lovable mop-topped pop stars and became serious rock intellectuals.” Hyden’s critiques are consistently on target and humorous: according to Hyden, the Eagles were not popular because they were particularly good as a band, but because they were “craven capitalists” who “were cool like the captain of the high school baseball team was cool.” Hyden is also acutely aware of the overwhelming straight white maleness of the classic rock canon, dissecting his own teenage listening experience through a socially aware lens (“On the classic-rock station—with the exception of Jimi Hendrix and Phil Lynott of Thin Lizzy—there were no black artists”). Hyden has created a hilariously opinionated personal history of classic rock that should resonate with his fellow genre enthusiasts.

    • Library Journal

      May 1, 2018

      In 2016, rock stars were dying at an alarming rate. David Bowie, Prince, Glenn Frey, George Michael--it seemed like half of the Rock and Roll Hall of Fame was being buried. While each death seemed to bring an ever greater sense of shock, the simple facts are: rock is old, and the people who play it are old. Facing this reality, how will the music be consumed and interpreted in the future? Will these legends live on, or will their music die with them? These and other questions are at the heart of this title. Music critic Hyden (Your Favorite Band Is Killing Me) draws most of his musical taste formation from the classic rock stations of his youth. Understanding that coming generations won't view bands such as Pink Floyd or The Who the way he does, he explores how their music will live on (or won't). VERDICT Even though the book sprawls into areas such as Phish fandom, it mostly maintains its focus with tight chapters and a clever LP track organization scheme. Fans of the website Pitchfork will find lots to love. [See Prepub Alert, 11/27/17; "Editors' Spring Picks," LJ 2/1/18.]--Brett Rohlwing, Milwaukee P.L.

      Copyright 2018 Library Journal, LLC Used with permission.

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