June 2, 2008
Canadian Galloway (Ascension) delivers a tense and haunting novel following four people trying to survive war-torn Sarajevo. After a mortar attack kills 22 people waiting in line to buy bread, an unnamed cellist vows to play at the point of impact for 22 days. Meanwhile, Arrow, a young woman sniper, picks off soldiers; Kenan makes a dangerous trek to get water for his family; and Dragan, who sent his wife and son out of the city at the start of the war, works at a bakery and trades bread in exchange for shelter. Arrow's assigned to protect the cellist, but when she's eventually ordered to commit a different kind of killing, she must decide who she is and why she kills. Dragan believes he can protect himself through isolation, but that changes when he runs into a friend of his wife's attempting to cross a street targeted by snipers. Kenan is repeatedly challenged by his fear and a cantankerous neighbor. All the while, the cellist continues to play. With wonderfully drawn characters and a stripped-down narrative, Galloway brings to life a distant conflict.
April 15, 2008
A bread line in besieged Sarajevo. A mortar lobbed by Serb soldiers on the hill. Death for 22 people. A cellist sees it all and determines to honor the deadand perhaps assuage his own painby playing Albinoni's "Adagio" on the spot for 22 days. And so Galloway opens his first novel, inspired by true events, weaving together four lives to tell the awful story of Sarajevo's devastation. Aside from the cellist, there's Kenan, who risks his life every few days to carry plastic canisters to the brewery and retrieve water for his family. Dragan, who got his family out before the bombs started falling, works at the bakery for, literally, his daily bread. Both must cower on street corners and watch those who risk crossing get shot or killed. Arrow, who uses an alias, is a sniper desperate to defend her city and just as desperate not to compromise her humanity by hating the men who rain death down on the city. In the end, each takes a stand, small or large, to assure that the "Sarajevo that [they want] to live is alive again." Galloway writes simply and affectingly, occasionally resorting to cliché and just as often hitting a sweet, clear note that makes the siege of Sarajevo very real. For most collections. [See Prepub Alert, "LJ" 1/08.]Barbara Hoffert, Library Journal
Copyright 2008 Library Journal, LLC Used with permission.
April 1, 2008
Inspired by Vedran Smailovic, the cellist who, in 1992, played in a bombed-out Sarajevo square for 22 days in memory of the 22 people who were killed by a mortar attack, this isa novel about four people trying to maintain a semblance of their humanity in the besieged city. Kenan trudges across the city to collect water from the brewery for his family; on his way to buy bread, Dragan meets an old friend who reminds him of life before the war; Arrow, a sniper fighting against the occupation, is charged with keeping the cellist alive; and the cellist himself, in his simple act of performing, courageously brings a touch of life back to the citizens. Although Galloways characters weigh the value of their lives against the choices they must make, he effectively creates a fifth character in the city itself, capturing the details among the rubble and destruction that give added weight to his memorable novel.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)