What are their fears? What are their dreams? In the fourteen delightful tales in this collection, Alexander McCall Smith imagines the lives and loves of some of the
everyday people pictured in these twentieth-century photographs. A young woman finds unexpected love while perusing Egyptian antiquities. A family is
forever fractured when war comes to Penang, in colonial Malaysia. Iron Jelloid tablets help to reveal a young man's inner strength. And twin sisters discover that
it's never too late to forge a new path—even when standing at the altar.
There are big stories behind these simple images. Though at first glance they may appear to represent small moments, these photographs in fact speak
volumes, uncovering possibilities of love, friendship, and happiness. With his indomitable charm, Alexander McCall Smith takes us behind the lens to explore
the hidden lives of those photographed; in so doing, he reveals the humanity in us all.
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Creators
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Publisher
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Release date
January 19, 2021 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781980093206
- File size: 142490 KB
- Duration: 04:56:51
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Languages
- English
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Reviews
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Publisher's Weekly
November 2, 2020
Smith (the No. 1 Ladies’ Detective Agency series) returns with a placid collection inspired by photographs from the London Sunday Times archive. The photos appear alongside each story, their subjects generally imagined to possess lonely souls. In the heartbreaking “I’d Cry Buckets,” the feelings between two teenage boys in Scotland go unsaid, leading to decades of missed opportunities for love. The comical “St. John’s Wort” features a crafty Scottish wife who concocts an herbal remedy for her frazzled husband who is obsessed with the Cuban Missile Crisis. In the misery-filled title story, WWII uproots a wealthy British rubber company executive and his family. In “Students,” a fuming landlord learns the pitfalls of renting to university students. Smith’s polished descriptions enliven the photos’ time capsule qualities and convincingly explore the societal conventions of their eras, but none of the characters is very distinctive and some may as well be interchangeable, typified by the passive 26-year-old Scottish woman who moves to London in “Sphinx”: “She had drifted into something... without any conscious assertion of will, any firm choices, because it was easy.” Still, Smith’s expert handling of conflict and rich imagination make this one his fans will enjoy.
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