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The Alibi Breakfast

A Novel

ebook
1 of 1 copy available
1 of 1 copy available

Eight years ago, readers were invited to accompany Maurice Locksley on his rounds, as he paid court to his wife, his ex-wife, and his mistress in dizzying succession. The Marriage Hearse, his account of that wild winter's night, was judged "one of the funniest, smartest, and most generous novels about marriage from a male point of view." (Phyllis Rose, The Nation)

Now, eight years older in The Alibi Breakfast, Locksley is still "laugh-out-loud funny" (Bloomsbury Review) but not nearly so cocky as he contemplates the possibility that his riches are reduced to a single woman—or is it even worse than that? Duberstein's prose is as rich, precise, and allusive as ever; the people in his "house" are as real as the people in your house (terrifying thought), and he weaves the varied strands of plot into a tale of rare depth and integrity.

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    • Publisher's Weekly

      Starred review from May 1, 1995
      Burnt-out novelist Maurice Locksley confronts writer's block, a midlife crisis and his wife's infidelity in this tender, healing story of renewal and emotional growth. Last seen as an arrogant gadabout in Duberstein's 1987 debut, The Marriage Hearse, Maurice is now a wry, literate, ironically detached observer of his unmoored life ``in the Pennsylvania countryside'' and of Kim, his cheating playwright wife who has decamped to San Francisco. Their kids are growing up fast: sixth-grader Ben is writing a novel; Sadie, age 20, has brought home her Parisian boyfriend; Will, a forestry student, gets his girlfriend pregnant. Maurice bonds with his two sons by building a shack with them in the woods. Upon his wife's return, secrets spill out on both sides, and a touching epistolary chapter signals a turnaround in their relationship as each family member recognizes the wounds he or she has inflicted on one another. Duberstein's quicksilver prose adroitly voices the anxieties of a sensitive man who uses self-deprecating humor to plumb his ``shifting perception of the past,'' and the redemptive power of art and love.

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  • English

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