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The Courtiers

Splendor and Intrigue in the Georgian Court at Kensington Palace

ebook
3 of 3 copies available
3 of 3 copies available
Kensington Palace is now most famous as the former home of Diana, Princess of Wales, but the palace's glory days came between 1714 and 1760, during the reigns of George I and II . In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities. Lucy Worsley's The Courtiers charts the trajectory of the fantastically quarrelsome Hanovers and the last great gasp of British court life. Structured around the paintings of courtiers and servants that line the walls of the King's Staircase of Kensington Palace-paintings you can see at the palace today-The Courtiers goes behind closed doors to meet a pushy young painter, a maid of honor with a secret marriage, a vice chamberlain with many vices, a bedchamber woman with a violent husband, two aging royal mistresses, and many more. The result is an indelible portrait of court life leading up to the famous reign of George III , and a feast for both Anglophiles and lovers of history and royalty.
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    • Publisher's Weekly

      May 24, 2010
      The nasty spats of Charles and Diana pale in comparison to the bloody family battles waged by the prince's dysfunctional ancestors, Georges I and II. Fathers turned against sons and vice versa, and family quarrels led to expulsions from the royal palaces. A respected if not popular sovereign but a diabolical husband and father, George I denied his adulterous wife access to her young son, the future George II, and imprisoned her for 33 years in a remote German castle. George II himself endured a forced separation from his son, Frederick, yet when years later the grown Frederick arrived in London, George banned him from the palaces as he had been banned by his father. Worsley (Cavalier), chief curator at the Historic Royal Palaces, recreates the first two Georgian courts, depicting rival royal mistresses; a disaffected equerry; a "wild," probably autistic boy found in the woods and kept as a pet by George II's wife; and scheming courtiers, as well as Kensington Palace's various architectural renovations. Although some of the court minutiae are too trivial or esoteric for modern consumption, Worsley overall serves up a tasty slice of 18th-century life that is colorful, gossipy, and authoritative. Color illus.

    • Library Journal

      August 1, 2010

      In 1725, England's George I commissioned court painter William King to decorate the grand staircase of Kensington Palace. The resulting trompe l'oeil mural included 45 portraits of royal servants from clerks to maids of honor. Worsley (chief curator, Historic Royal Palaces; Cavalier: A Tale of Chivalry, Passion, and Great Houses) focuses on some of the portrayed figures as she tells the story of court life from 1714 to 1760, in the time of the battling father and son, George I and George II, German-speaking rulers brought to England with the demise of the Stuarts. Among those whose lives are followed: George II's mistress Henrietta Howard, who served as woman of the bedchamber to his tolerant wife, Queen Caroline; the beautiful maid of honor Molly Lepell, who ran off with resident court cynic John Hervey; a "wild boy" kept as a pet by the king; and George I's Turkish valets Mustapha and Mohammed. VERDICT In contrast to Worsley's brilliantly organized, meticulously researched Cavalier, this book does not flow well; it is rambling and unfocused, a gossipy account of Hanoverian court life suitable for reading perhaps by some royal watchers but not likely to satisfy those most interested in the era.--Stewart Desmond, New York

      Copyright 2010 Library Journal, LLC Used with permission.

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